Category: Interior Design

What would you like to know about antique rugs?

We at Rahmanan are working to give you the best possible experience in shopping for your antique rug. We understand that many people have questions or concerns when buying an antique for their floor, and have a yearning to know more about the processes and people who were involved in the craft of these pieces. We would love to answer any questions you may have, as well as educate our customers more about the wonderful world of antique rugs. We would like to provide the ultimate purchasing experience for our clients, so if there are any topics you would be interested in knowing more about, please let us know.

To know more about us you can enter in this link:

http://rahmanan.com/

 

 

Rug Classifications

The first thing that most people want to understand about rugs is how to classify them. There are a number of ways to do this.

  • One could classify rugs by general rug type:
    a. Tribal Weavings
    b. Cottage Rugs
    c. Workshop Rugs
  • One could classify rugs by the style they portray:
    a. Tribal, or geometric, weavings.
    b. Decorative, or casual, rugs.
    c. City, or formal, rugs.
  • From there, a more specific classification comes into play, where the rug is from:
    Persia
    Turkey
    India
    The Caucuses
    Europe
    China
    Turkoman
    America
    Israel
    Morocco
    Palestine
  • After pinpointing where a rug is from, it can further be categorized by weave type and color to a distinct area within the countries of origin. Here is a list of most types of rugs:
  • Persian Rugs:

Afshar
Bakhtiari
Bakhshaiesh
Bibikabad
Bidjar
Farahan
Gabbeh
Ghashgaie
Hamadan
Heriz
Isfahan
Joshaqan
Karaja
Kashan
Kashan – Dabir
Kashan – Mohtasham
Kazvin
Kerman
Kerman – Lavar
Kurdish
Lilihan
Mahal
Malayer
Malayer – Mishan
Mashad
Mashad – Sabeer
Mood (NE Persian)
NW Persian
Qum
Sarouk
Sarouk – Farahan
Sarouk – Mohajeran
Senneh
Serab
Seraband
Serapi
Shiraz
Sultanabad
Sultanabad – Ziegler
Tabriz
Tabriz – Haji Jalili
Tehran

  • Turkish Rugs:
    Ghiordes
    Melas
    Oushak
    Oushak – Angora
    Oushak – Borlou
    Sivas
    Yuruk
  • Indian Rugs:
    Agra
    Amritsar
    Dhurrie
    Sharistan

 

  • Caucasian:
    Bidjov
    Chi-Chi
    Kuba
    Karabagh
    Lesghi
    Moghan
    Shirvan
    Talish
    Zeychor
    Kazak
  • European:
    Arraiolos Needlework
    Aubusson
    Axminster
    Besserabian
    Donegal
    English Art Deco
    German – Bauhaus
    Needlepoint
    Rya
    Savonnerie
    Spanish – Cuenca
    Tapestry
    Ukranian
  • American:
    American Hooked Rugs
    Braided Rug
    Navajo
    Rag Rug
  • Chinese:
    Art Deco
    Khotan
    Mongolian
    Ning Xia
    Peking
    Samarghand
  • Turkoman:
    Baluch
    Ersari
    Beshir
    Hatchli
  • Other:
    Bezalel – Palestine
    Israeli
    Kerghiz
    Moroccan
  • All of the above:
    Soumak
    Kilim

To view  classify rugs on our website, please use this link:

http://www.antiquerugstudio.com/

 

Oriental Influence on European Rugs

Antique rugs were once new production. About 80 – 90 years ago, carpets from the orient were sold at extremely high prices throughout Europe. European manufacturers saw the need to produce such products at lower costs, causing a sweep of production through Europe in places such as Donegal and Axminster.
This is the reason that some Donegal rugs can be found with Turkish Oushak patterns. While the need to produce a product for cheaper dominated the “where” of the production, there was still a desire for the cultural feel of an oriental rug. On top of being less expensive to make, there was also more control over how the product was made.

“German” Condition

Sometimes in the antique rug industry, you will come across a client who is looking for a rug in “German” Condition (Generally, this will be a European client). What this means is that they are looking for a rug that is in perfect condition, with an un-used look. The phrase comes from the fact that rugs in Europe just don’t age the same as those in America. In many European nations, the antique rug is revered. They are placed in show rooms where they are generally un-touched. The rugs in these types of settings age very well. Their color is strong, their pile full, and are without stains or spills. In many instances one cannot even tell that rugs in such perfect condition are antique at all.
For most Americans, however, this is a turn off. Generally, an American client desires that patina that comes with a used antique rug. It is a look, or feeling, that is telling of the rugs age and history.
The way that antique rugs are used and stored can greatly affect what market they will be sellable in. Rugs which have been kept pristine and new looking will be more valuable to the European market, while rugs that show age and use tend to be more desired in the American market.

#19647 Khotan | As Seen in Rooms With a View

Rug #: 19647

Type: Khotan

Origin: China

Size: 4’8″ x 7’7″

Circa: 1920

When George Marshall Peters of Pamela Bankers office asked if we would be interested in participating in their Rooms  With a View show space we were delighted. The vignette that George had planned out was influenced by a recent trip to Asia, and included a piece of art from his own collection. The painting contained delicate cranes upon a golden ground, with a rice paper feel, which strongly influenced the rest of the design–and screamed to be accompanied by a soft toned Asian carpet.

With a small (approximately 8′ square) floorplan, wallpaper samples, photos of the furniture, and the feeling of the central art piece in mind, George and I began our search.Though we pulled a few other options out that could have worked, it was clear that a warm, traditional Chinese piece was the best way to go for the space he imagined.

Photo via MANUFOTO

While George had originally nixed this Khotan as an option due to it’s size, Ramin and I knew it was a great match for the look he was going for.  Many designers will rule out perfectly fitted rugs based on architectural lines drawn on paper, rather than trying the rug in the space.  Upon sight of this carpet though, George agreed to see if it would fit, without making the room feel cramped.

Photo via MANUFOTO

Though the Khotan does fit wall to wall, the vignette was a huge success, each element falling into place beautifully – the carpet really completing the conversation between the other components of the room.  The golden neutral tones of the rug were woven in beautifully with the naturally textured wallpaper and golden collectables placed about, the earthy browns complimenting the darkness of the floor and furniture, and the subtle geometry pulling in the small geometric art elements that George used in perfecting the details of this space.